Friday, 10 January 2020
In 2019, one of my best poetry moments was definitely the Belarusian poet Valzhyna Mort's reading as part of the 'Poems from the Edge of Extinction' event during the Poetry International festival at London's Southbank. This event was to accompany the release of an anthology of the same title.
Notably, Valzhyna Mort read a poem called 'Ars Poetica', which you can find here:
ARS POETICA (Valzhyna Mort)
Mort's taut, emphatic reading brought out the poem's steel edges, but I was also deeply struck by 'Ars Poetica' when reading it on the page. I've seen the ars poetica (essentially, an explanation of the art of writing poetry) called a cliché - it does get used a lot, but I've also read some particularly good ones, such as the Czeslaw Milosz poem 'Ars Poetica?', to which he cunningly attached a question mark.
Anyway, it would be nice to think that by the time a discerning poet gets around to writing theirs, it's going to be worthwhile. Mort grew up in Belarus but has lived in the United States for many years, and has written poetry in both Belarusian and English. (Her first language is actually Russian: some of the complexity of this, and how it affects her writing, is detailed in this interesting interview in the California Journal of Poetics: http://www.californiapoetics.org/interviews/2359/an-interview-with-valzhyna-mort/)
'Ars Poetica' offers a glimpse into the conflicted genesis of Mort's art, which is also discussed in the same California Journal of Poetics interview: a childhood with a constant awareness of Belarus's war-torn past, and ringed round with both comfort (the grandmother's chocolates, though from a purse with a frightening face) and violence ("streets introduced themselves with the names/of national murderers"), some of which may be state-sanctioned, or its perception at least state-controlled. Memory, "the illegal migrant in time", is perhaps kinder than imagination.
Photo: World Literature Today - Valzhyna Mort reading at the 2015 Neustadt Festival opening night. Used under Creative Commons license CC BY-SA 2.0)
Sunday, 29 December 2019
I recently picked up the Broken Sleep Books Anthology 2019 and I recommend you do the same. It contains a few poems from every Broken Sleep Books publication this year, which obviously includes my pamphlet Island of Towers, but there is a great range of selections from over 20 publications.
You can find the anthology here: https://www.brokensleepbooks.com/product-page/broken-sleep-books-2019-anthology
Wednesday, 18 December 2019
A month ago I went to a Seamus Heaney tribute event at Kings Place which featured discussions and readings by Glenn Patterson (director of the Seamus Heaney Centre), Irish historian Roy Foster, poet Vona Groarke and actor Bríd Brennan.
The poems read included 'Two Lorries', among others, and there were discussions about Heaney's views on Britain and Ireland, how these contextualised his work and assured his importance - as well as his detailed and intimate observations about family life, rural living and so forth. To be honest, I wish I had taken notes, because I don't remember a lot of detail from the evening. I arrived a little late, and had in any case been feeling very stressed for several days. The most noteworthy thing of all was that the moment I started listening to Heaney's words, my stomach unknotted and my stress seemed to evaporate. It was this, more than anything else, that made me think about the place of Heaney's poetry in my life.
During the evening, photos of Heaney at different ages appeared on the large screen over the stage. His face filled me with affection and sadness, but sometimes the backgrounds were even more evocative; for example, the poet standing on a beach that was likely Dublin, bleak and beautiful with the shallow pools and flotsam of low tide. U2, one of my most important bands, admired and even referred to Heaney in their work, and that particular photo reminded me a little humorously of some of their more awkward photo shoots from their younger years. And then I started to think of the heady cocktail of Yeats and U2 that fuelled my earliest obsession with Ireland and, in part, led me to live there for three years.
As much as I love Heaney, I'm not sure I've ever obsessed over him the way I did over Yeats and U2. They're more responsible for my few years in Ireland, before London. But he's been around in my life for a long, long time. The shock and amazement of reading poems like 'The Tollund Man' and 'Punishment', at a young age (probably junior high), was considerable and has never quite left me. I had not known that poetry could be like that, especially the way he doubled past and present and folded them over each other. His collection District and Circle was released in 2006, shortly after I moved from Dublin to London, and it is entwined with that early time in London; my (then) romantic obsession with the Underground, the possible echoes of the 7/7 terrorist attack (only a couple of weeks before I moved to the city) in "blasted weeping rock-walls. Flicker-lit." 'Out of Shot' and 'Höfn' appeared in the Guardian back when we still all bought papers: I cut them out and stuck them up on my bedroom door. I actually saw Heaney read a few times in the few years before he died, one of those occasions being at Poetry Parnassus in 2012, which was a particularly significant event for me in terms of learning about international poetry. And it goes on.
There's art that we recall as, or that calls up, moments in time. Other authors, bands, books, poems seem to remind us of everything. Some can do both, and perhaps they are the most special of all. Seamus Heaney is in that category, for me.
Photo: Seamus Heaney by Burns Library, Boston College. Photo used under CC BY-NC-ND 2.0 license
Monday, 16 December 2019
I'm really pleased and happy that Matthew Stewart has included The Stone and the Star on his list of the Best UK Poetry Blogs of 2019, on his Rogue Strands blog. I've made it onto this list for a few years now, and I can safely say that his choice of blogs is excellent and varied.
Speaking of Rogue Strands, it was also really great to be a part of the reading that Matthew Stewart and Mat Riches organised at the King and Queen Pub in Fitzrovia, at the end of November. I was reading alongside Katy Evans-Bush, Robin Houghton, Neil Elder, Rishi Dastidar, Rory Waterman, Ramona Herdman, and of course Matthew and Mat. It was a fun evening with lots of good conversation - I also caught up with a few poetry friends who joined the audience. The readings themselves were excellent; a great cross-section of voices and themes from the UK poetry scene.
Entry to the reading was by donation to the Trussell Trust for local food banks, and it looks as though it's still possible to donate here: https://justgiving.com/fundraising/roguestrands2019?fbclid=IwAR0ejtB1F9ICc7mAEKO3AQFOeLX4SR_Jq2MTJTTd0XedWTFjJygfDnqRjXA
You can also read Mat and Matthew's own comments (and see a few photos on Mat's blog) on the reading on their blogs, here:
Sunday, 24 November 2019
A few days ago my poem 'Seventeen Steps' appeared on Matthew Stewart's Rogue Strands blog as a little taster for the Rogue Strands poetry reading this Thursday, 28 November in London (along with a nice little writeup). 'Seventeen Steps' originally appeared in print a few years ago in Lighthouse. If you browse the Rogue Strands blog you will find poems by all of the readers.
The reading on Thursday is at the King and Queen Pub in Foley Street, London W1W 6DL. Details:
Also you can donate here to the Trussell Trust for local foodbanks, as well as donating on the evening if you can come: https://justgiving.com/fundraising/roguestrands2019?fbclid=IwAR0ejtB1F9ICc7mAEKO3AQFOeLX4SR_Jq2MTJTTd0XedWTFjJygfDnqRjXA
Monday, 11 November 2019
I often wear different hats at different times (so to speak) and one of the hats I occasionally wear in recent years is that of spy fiction enthusiast.
Last year, I wrote a blog post about Quiller, the super-spy creation of Adam Hall, and some poetry echoes I thought I'd found in his novels. You can read it here: https://thestoneandthestar.blogspot.com/2018/08/adam-halls-quiller-meets-poems-in-my.html
More recently, I appeared on the excellent Spybrary podcast in a two-episode discussion about Quiller, with longtime Quiller fans and spy fiction experts Jeff Quest and Tim Stevens. You can listen to Spybrary on good podcast apps, and also find these episodes here:
In the second episode, I spoke a little bit about the literary echoes I thought I'd found in the Quiller novels. More than that, though - I went full-on spy poetry nerd and read an original poem I had written, inspired by Quiller. For those of you who wanted to see it on the page, or who are not sure they want to listen to me talk about spies for two hours, here it is. (Although I do recommend you check out the podcast. And read the books, of course.)
after Adam Hall's 'Quiller'
Obsessed into being
Open the dawn
the order of man
Don't lose the measure of man
bitten to the quick
Reverse the earth
little attack heart
Light up the shadow
Poem © Clarissa Aykroyd, 2019
I'm very pleased to say that I will be part of the 'Rogue Strands' poetry reading, organised by Matthew Stewart and Mat Riches, on Thursday 28 November at the King and Queen Pub on Foley Street, London W1W 6DL.
Details of the event and my fellow readers are on the poster above, and it will definitely be a great evening. If you would like to come along and cheer in a poetry-reading-appropriate way, that would be much appreciated. Entry is by donation to The Trussell Trust in aid of local foodbanks. Also, my new pamphlet Island of Towers will be available to purchase...
In other "me, me, me" news, poet and poetry blogger David Green recently wrote a thoughtful review of my pamphlet, which you can read here: https://davidgreenbooks.blogspot.com/2019/10/clarissa-aykroyd-island-of-towers.html?m=1&fbclid=IwAR2zUqI6nZKV3UPxgrdTwaKlPmcnN1NpY3Pk82RvxH0IiT0auuFAlvOb3lQ
David Green always approaches his reviews and poetry commentary with care and thought, and this was evident here. I felt that he had noticed some things in my work which are latent rather than explicit, and I really appreciated that.
Thursday, 17 October 2019
My poetry pamphlet has landed! Island of Towers is here, and I'm really delighted to have found a supportive publisher, Broken Sleep Books, who have produced it beautifully.
The title Island of Towers is taken from one of the poems in the pamphlet, but I suppose it seemed appropriate because there are a lot of poems about (or around) islands and the sea, and cities. There are also poems about Sherlock Holmes, spies, travel - the usual suspects. But when it comes to writing poems, I suppose my only strong philosophy is to write something that I would myself enjoy reading.
You can order direct from the publishers here: https://www.brokensleepbooks.com/product-page/clarissa-aykroyd-island-of-towers
I also have some copies to sell myself, which I can inscribe if desired, so please get in touch if you'd like to buy directly from me (click through to my profile to email me, comment here, Tweet me at @stoneandthestar - etc!)