Wednesday, 28 May 2014
Sidney Keyes: 'Death and the Maiden' (Four Postures of Death)
Henri de Toulouse-Lautrec, The Spanish Dancer, 1888
'Death and the Maiden', the first poem in Sidney Keyes' Four Postures of Death sequence, is the poem from which Richard Adams took the first few lines for one of his epigraphs in Watership Down. So this is the poem which introduced me to Keyes, and it is an important part of the wonderful interwoven, nature-celebrating and literature-loving texture of Watership Down. For years before I even felt strongly impelled to look up the whole poem and to find out more about Sidney Keyes, I wondered what kind of poet had written such singular, unforgettable lines.
FOUR POSTURES OF DEATH (Sidney Keyes)
DEATH AND THE MAIDEN
He said 'Dance for me,' and he said,
'You are too beautiful for the wind
To pick at, or the sun to burn.' He said
'I'm a poor tattered thing, but not unkind
To the sad dancer and the dancing dead.'
So I smiled and a slow measure
Mastered my feet and I was happy then.
He said, 'My people are gentle as lilies
And in my house there are no men
To wring your young heart with a foolish pleasure.'
Because my boy had crossed me in a strange bed
I danced for him and was not afraid.
He said, 'You are too beautiful for any man
To finger; you shall stay a maid
For ever in my kingdom and be comforted.'
He said, 'You shall be my daughter and your feet move
In finer dances, maiden; and the hollow
Halls of my house shall flourish with your singing.'
He beckoned and I knew that I must follow
Into the kingdom of no love.